RME MADIface XT II – Revolutionary MADI Audio Interface for Professionals The RME MADIface XT II is a unique audio interface that represents a breakthrough in digital audio technology, offering versatility, power, and mobility in a compact device. It is the world's first USB 3.0 audio interface, providing access to hundreds of audio channels in a portable format, making it an ideal tool for professional sound engineers and musicians who require maximum performance in the studio and on stage. With support for MADI (Multichannel Audio Digital Interface) and many advanced features, the MADIface XT II is capable of meeting the most demanding recording and production projects.

USB 3.0 – Full Bandwidth for Hundreds of Channels With full USB 3.0 support, the MADIface XT II delivers unmatched bandwidth, allowing the transmission of up to 196 audio channels simultaneously. This makes it an excellent solution for live sound, multichannel recordings, or music production requiring real-time processing of large amounts of signals. For full compatibility, the device can also work with USB 2.0, supporting up to 70 channels, providing versatility for various working environments.

PCI Express and Thunderbolt – Low Latency and Maximum Performance RME MADIface XT II is more than just USB. The device is equipped with a PCI Express port, enabling connection to external PCIe cards and Thunderbolt adapters. This allows for even lower latency and higher bandwidth, making this interface ideal for multichannel recordings in the studio or on large stages where reliability and speed are critical.

Professional Microphone Preamps and Balanced Line Outputs The MADIface XT II is equipped with two digitally controlled microphone/line preamps, offering the highest sound quality, precise signal control, and a wide dynamic range. These high-end preamps allow for lossless recording of analog signals, essential for high-quality recording, such as capturing vocals, acoustic instruments, and other sound sources. Additionally, the interface has two balanced line outputs, enabling precise monitoring and signal routing.

Comprehensive Input and Output Options The RME MADIface XT II offers a full range of input and output options, making it an excellent tool for both studio work and live performance. The front panel includes two XLR/TRS line/microphone inputs, a stereo line output, and a high-quality headphone output. Additionally, the interface features a complete set of digital connections, including two optical and two coaxial MADI ports, MIDI inputs/outputs, AES/EBU, and Word Clock, ensuring full compatibility with a wide range of professional audio devices.

Standalone Operation with TotalMix FX – Unlimited Mixing Possibilities One of the key advantages of the MADIface XT II is its ability to operate in standalone mode without a computer. With TotalMix FX, an advanced mixing and routing system, users have access to an unlimited number of submixes, allowing full control over every audio channel. TotalMix FX also offers effects like EQ, compression, and reverb, making the MADIface XT II ideal for both studio work and live performances.

Unmatched Flexibility and Control in Any Situation The MADIface XT II is not just about advanced technical features – it also offers highly intuitive operation. The device has a color graphic display, four menu buttons, and two rotary encoders, allowing quick and precise adjustment of parameters without needing a computer. This makes the MADIface XT II ideal for professional studios and live performance environments, where quick response and easy access to functions are critical.

Key Features: USB 3.0: Support for up to 196 audio channels Compatibility with USB 2.0: Works with 70 channels PCI Express Port: Connection with Thunderbolt adapters Digital MADI I/O: Optical and coaxial Two Microphone/Line Preamps: Digitally controlled Stereo Headphone Output: High-quality sound Advanced TotalMix FX Processing: Unlimited submixes Remote Control: Standalone operation via MADI DigiCheck: Tool for high-resolution audio monitoring and analysis Technical Specifications Microphone/Line Inputs Input Type: XLR/TRS, electronically balanced Input Impedance: 3.3 kOhms Signal-to-Noise Ratio (SNR): 118.5 dBA Frequency Response: 44.1 kHz: 5 Hz – 20.8 kHz 96 kHz: 3 Hz – 45.2 kHz 192 kHz: 2 Hz – 89 kHz THD+N: < 0.00063% Gain Range: 75 dB Maximum Input Level: +18 dBu MADI Inputs/Outputs Coaxial: BNC, 75 Ohms Optical: FDDI duplex SC Maximum Number of Channels: 64 channels at 48 kHz 32 channels at 96 kHz (S/MUX) 16 channels at 192 kHz (S/MUX4) Line Outputs Output Type: XLR, balanced Dynamic Range: 116 dBA THD+N: -105 dB, 0.0005% Frequency Response: 0 Hz – 78 kHz @ 192 kHz Maximum Output Level: +24 dBu, switchable to +19 dBu, +13 dBu, +4 dBu Headphone Outputs Impedance: 1 Ohm Maximum Output Level: +7 dBu AES/EBU Inputs/Outputs Standard...